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An Interview With Nature

An Interview with Nature:
An Artist’s Yearlong Sojourn en Plein Air

By

Keith Bond


Plein air work (painting on location) has always been an important part of my art. Most of my plein air paintings, however, have served as studies for my more ambitious studio works.   For the next year, I will devote more time painting right at the source of my inspiration. I will paint nearly every day en plein air. I will continue to do some studio works as well, but I plan to make my plein air work a major priority this year. 


Cottonwood Hollow Spring, by Keith Bond, 9 x 12

Reasons for the Project

I am excited for this project for several reasons. It is in part for personal artistic growth. Greater understanding and appreciation for nature is another reason. Simply being out in the landscape that I love so much is yet another reason. Finally, many of you comment that you wish I offered more plein air works for purchase.

Spontaneity and Expressive Qualities of Plein Air

Many collectors enjoy the spontaneity of these works. They are less refined, but are very revealing of my thought and work process. They are collectable as the most expressive of my works. Plein air paintings are painted in direct response to my emotional connection to nature. They are painted by inspiration, quickly, deliberately, and with economy of detail.

Benefits of Plein Air

Since nature is where my inspiration flows more freely, it makes sense to spend more time communing with nature. As I paint, I wish to know the mysteries of nature. I explore and study and observe. I ponder, I question. I seek truth and understanding; both in the laws of nature and in our relationship to her. It is a quest to connect more deeply with her, which will enable me to better express my awe and fascination with her infinite beauty and moods.

An Interview with Nature

Thus, while painting, I am seeking understanding. It is an interview with nature. I ask her questions. Slowly she reveals herself to me. She gives me only a few insights at a time, asking that I truthfully represent her. Later she will allow me to understand more. It is a lifelong relationship. 


Coastal Rocks, by Keith Bond, 9 x 12

Project Details

I will paint on location nearly every working day. Some paintings will not turn out so well, but many will become gems. The successful paintings will be posted on my website and blog. They will be available for purchase almost exclusively through Keith Bond Fine Art. 

At the end of the yearlong project there will be a public exhibit and hopefully an accompanying book. If you are interested in being notified as these plein air paintings become available for sale, send me an email or telephone me at (435) 512-0247. 

 
Harp Vineyards, by Keith Bond, 9 x 12

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Mexican Poppies - An Interview with Nature #1


Mexican Poppies, 9 x 12, oil, $1300

Painted on location near Safford, Arizona, March 2010.

I am embarking on a year-long plein air project entitled An Interview With Nature.  I intended to begin the project in March, but other circumstances caused me to delay the project in earnest until May.  I decided to include this painting, though, because I liked it so much.

Drove down a BLM dirt road among the poppies for nearly 8 miles.  The poppies stretched as far as the eye could see in all directions for the entire drive.  Some patches thicker than others, but golden flowers colored a huge area of the landscape.

Contact the Artist about this work.

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Autumn Patterns


Autumn Patterns, oil on linen, 30 x 36

I never tire of painting aspens.  Since childhood, they have been my favorite tree.  There is an enchantment about them.  The early afternoon light illuminating the golden foliage beckoned to be painted.  I particularly liked the thick cluster of trees creating a dark mass through which only glimpses of the sunlit background are visible.

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