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Shared Emotions

San Rafael Reef, by Keith Bond
San Rafael Reef, by Keith Bond

Sometimes a piece of artwork has such a profound impact that you remember it for years to come. I can easily recall how I responded to a charcoal drawing of a funeral procession. The title of the drawing was The Dirge, but I cannot remember the artist's name. I haven't seen that drawing (or any image of it) for more than 14 or 15 years. But the image is ingrained in my mind. More importantly, the feeling is deeply ingrained. I remember staring at it for what seems like forever. It was probably 45 minutes or so.

 

Other times art is quickly forgotten. Even art that you like is often forgotten before long. Other art is dismissed as soon as you see it because it doesn't move you or perhaps you even dislike it.

 

My question is why? Why, or maybe a better question is how can some works of art move us so deeply while some are forgotten and others do absolutely nothing for us?

 

I think there are multiple reasons.

  1. Language of Emotion. Art is a language that communicates on an emotional level. No words are involved, but there is a dialogue.
  2. Subconscious Response. Something in the artwork taps into the subconscious of the viewer. It usually involves a memory, but it could also be an ideal, philosophy, or emotion. Often it is a combination of all of these and more.
  3. Common Connection. One or more of these subconscious responses are shared between the artist and viewer. That shared connection was felt by the artist when the work was created and also felt by the viewer.
  4. Genuine Sincerity. For that reason, it is important that the artist create with sincerity. The art needs to be a genuine expression. The subject needs to be felt. There should be deeper meaning for the artist. Only then, can a common emotional or philosophical connection exist between artist and viewer.
  5. Unique Interpretation. This does not mean that the artist and viewer are the same. It does not mean necessarily that the emotion was felt in the same way. The interpretation may be completely opposite from one another. But, the key is, there is something that resonates within both parties on a deep level.

I want to be clear. I am not saying that art that doesn't move you deeply isn't good art. It may very well be. It may even be superb. But, we are all unique. We are each the product of our life experiences and philosophies. These combine in complex ways to contribute to who we are. We each respond differently because we are different.

 

The works that move you the deepest are the ones that you should add to your collection. I'm not saying thta you should only add works that you connect with at that deep of a level. There is enjoyment and enrichment that comes from any art that you like - at whatever level. But don't let those that you connect most deeply get away from you. They will be the prized pieces in your collection. They will bring your life a higher level of enrichment that you will cherish.

 

 

5 Responses to Shared Emotions

Joann Wells Greenbaum
via keithbond.com
Hi Keith,

I appreciate your questions that cause me to go deeper in asking why a particular artwork moves me, and affects my senses. Sitting with this question will not only help to tune into the work that appeals to me, but to also improve my intention for my own work.
Thank you for sharing and for your excellent paintings.

Susan Andersen
via keithbond.com
True, true. After miscarrying a boy and having only girls I saw a painting of a boy who was a cross of my husband and my nephew. I felt he looked like our missing boy. I had to have the painting. It hangs reverently now at the bottom of our stairs. It was artwork that resonated deeply and that I had to have.

Susan Andersen
via keithbond.com
For example, if you did a painting of Flaming Gorge from where my mother died, or a painting of a heavenly experienced Pittsburg Lake above American Fork canyon, they would be my must haves.

kim briden
via keithbond.com
great work keith! always had an appreciation for nature and allows others to see the world through art when unable to travel to appreciate the beauty of this land.

Robert britton jr.
via keithbond.fineartstudioonline.com
Hi Keith!

As a landscape painter, I find it a challenge to intentionally design in elements that will connect with the viewer emotionally. Strong color and value are two tools that I turn to. in particular, strong dramatic lighting is very powerful in driving emotion.

But I think more than design elements, the choice of subject itself is a way to connect emotionally. I just did a painting of the bulldog mountains in az that really made people feel the power of the place because of the use of dramatic values and colors, but all so the dynamism of the subject. There's a romance to certain places that have built in emotion purely because of place. Think of the grand canyon, Niagara falls, big sur, bridal veil falls or el capitan in Yosemite to point out a few.

But outside those iconic places, a painter really has to intentionally think beforehand about what they are trying to feel themselves about the place they are capturing on canvas.

Getting feedback from how people respond to your painting I think is very important in helping a painter learn about those painting elements that cause emotional responses in others. But more than that, I think you should paint for yourself and make a piece that you deeply respond to emotionally because it will likely affect others simalarly. If it doesn't move you as the painter, it may likely not move others.

I'm glad you wrote this post to help people think about how paintings make them feel something. More than pretty paintings, pieces that drive powerful emotions are priceless works to be added to one's collection.

Your artwork is stellar and you clearly are making works that make people FEEL.

God bless,









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