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The Value of Color


What is the value of color? This is actually a play on words. To most people, this question would trigger thoughts on how color influences mood or creates harmonies. However, there is an underlying value to color that, to me, is much more important. That is its value in terms of grayscale. 

‘Value’ is a word used to describe how light or dark a color is.  So the restated question would be ‘how dark or light is the color?’

Looking at paintings in black and white is quite revealing. You can determine very quickly how strong or weak the composition is. Color can often be distracting, inhibiting your ability to see some of the more important underlying compositional elements.

For an artist, the grayscale is divided into 9 steps from black to white. However, if every value of the grayscale were used in a given painting, that painting would lack strength. A strong or dynamic composition is limited to 3 or 4 values. No more. They should not be found in equal proportion. One value should dominate with a secondary, and tertiary, etc. 

This is closely tied to composition or design, because the abstract shapes which make up the underlying design are nothing more than an interesting arrangement of pieces of varying size, shape, and values. These shapes fit together like a jigsaw puzzle.




"Aspen Interior" by Keith Bond, 24 x 36, oil on linen

Study the black and white and full color images of this painting.  You will notice that the dominant value is found in the foliage of the distant trees and in the core shadow of the aspen trunks.  This value is also found in the cast shadows on the ground plane.  The secondary value is the sunlit ground plane and the small spots of light on the foliage.  Next comes the value of the sky which is also found in the highlights on the edges of the aspen trunks.  Lastly there are just a few dark accents which make the entire painting work.

The three main values create a strong composition and hold the work together.  Notice that the blue mountain and golden foliage have the same value.  It is a difference in the color and color temperature which creates the depth.  Also notice that differences in color temperature are what make the aspen trunks turn.  It gives volume or dimention to the work.  But that is another topic for another time.

Remember, strong compositions are limited to 3 or 4 main values of varying dominance. 

Sincerely,
Keith Bond

 

5 Responses to The Value of Color

Ruth Housley
via keithbond.com
Hi Keith,
I really like the aspens trees that you did and the black and white photo that you went by to do your painting.
Keep up the good work.
Ruth Housley

Bobbi Dunlop
via keithbond.com
Keith,
Equally beautiful painting in color as well as in black and white! The ultimate test of a strong painting, when it can stand up to this.
A quote that I love which sums it up, but don't know who to attribute it to is:
"Value does all the work; color gets all the credit"

Another really great article, Keith!
Bobbi Dunlop

Mary Aslin
via keithbond.com
Great, timely article Keith, as I am preparing to teach a workshop on values. In preparing, I revisted Greg Albert's book "The Simple Secret to Better Painting". In it he talks about the concept of "Mostly...Some...A little bit" for values and colors. It applies to your explanation of dominance, secondary and tertiary. So, I've completed three value studies of each value pattern for the students to learn by. For example: Mostly dark, some mid tones, a little bit of light. Conversely, mostly mid tones, some light, and a little bit of dark, and then a final one, mostly light, some mid tone and a little bit of dark. (Can you think of a composition that would hold together if there were "a little bit" of mid tones?....I can't think of an example...).

Anyway, next, we will use this concept and apply it to color. But without the "bones" of value to provide the road map, applying color becomes a haphazard exercise.

Thanks very much for your writing. I enjoy all of it.



Rhonda
via keithbond.com
I enjoy reading these articles very much. Such good information. I completed a "grey scale" painting the other day and found it very helpful in learning to see value. Thanks for these insightful articles.

Kathleen Kalinowski
via keithbond.com
Hi Keith,
Thank you for the really good example of keeping the values in a painting simple. Your painting of the aspen trees is one of the best I have seen of that subject matter. It really helped to compare the color version to the BandW version. I have been doing a lot of plein air painting and I think my best paintings happen when I remember to squint down to simplify values but I will remember your example to limit the number of values to create a stronger compositon.
Thank you,
Kathleen









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